Back to the ranking

2026 · Persian Rug Family Rankings · 08

Aalabaf

Tabriz

Aalabaf

Aalabaf comes from Tabriz, with a production tradition passing from Haj Hassan through Abbas Ali to Mohsen. Mohsen's identified works combine hunting narratives with medallions and classical composition. The family's distinctive quality lies in the relationship between story and ornament, forming a complete image within a rug.

Works and style

Contemporary works

Mohsen Aalabaf's works invite attention to hunting scenes, medallions and classical central compositions. Narrative details and decorative patterns unfold around an overall structure, offering both a story to read and a composition to appreciate. Viewers can first identify the relationship between centre and borders, then see how scenes enter the pattern, tracing the coordination of narrative and ornament.

People and heritage

Family continuity diagram

Three generations of production continuity · exact founding year not establishedThree generations of production continuity

Haj Hassan founded the family workshop and taught design to his son Abbas Ali. Abbas Ali later led workshop production. Mohsen learned the family art from his father's generation, becoming the third generation in this production line.

Earlier mastersAbbas Ali Aalabaf

First generation · historical figure

Haj Hassan Aalabaf

Early family workshop founder and teacher of design

Second generation · historical figure

Abbas Ali Aalabaf

Historical workshop leader; design and production

Parent's generation: Haj Hassan Aalabaf

Third generation

Mohsen Aalabaf

Art rug production and continuation of the family enterprise

Parent's generation: Abbas Ali Aalabaf

Sources on family continuityPublic family information ↗Public family information ↗

People and heritage

Family archive

This Aalabaf production line passes from Haj Hassan through Abbas Ali to Mohsen. Mohsen has named production responsibility for hunting-field and central-pattern works. The family's classical compositional tradition provides the making context for understanding them.

Hunting subjects give the image a story, while medallions and central composition organise the rug's decorative order. Mohsen's works bring these expressions together. Viewers can examine narrative details and how they connect with the centre and borders.